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Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested. -- (C) Official Site PG-13. Watch Amour Instantly Movie Without Survey HERE

Story Line For Amour

Amour
Release Date Amour Dec 19, 2012 Wide
Genres Amour : Art House & International,Drama


Total Vote User Amour : Visitor
User Ranting Amour : 4
User Percentage For Amour : 83 %
User Count Like for Amour : 12,579
All Critics Ranting For Amour : 8.7
All Critics Count For Amour : 182
All Critics Percentage For Amour : 93 %

Actors For Amour

Jean-Louis Trintignant,Emmanuelle Riva,Isabelle Huppert


Amour Movie Review

Trintignant perfectly captures the resolve that eventually borders on obsession, as the woman he loves gradually, maddeningly, disappears before his eyes, and he does whatever he can to prevent it, though he knows it's impossible.
Bill Goodykoontz-Arizona Republic

Many viewers will find echoes of their grandparents, parents, or even themselves in these characters.
James Berardinelli-ReelViews

A movie that is utterly worthy of its all-encompassing title.
Ann Hornaday-Washington Post

The resulting interplay of ruthless restraint and unavoidable passion, plus the film's refusal to shrink from depicting the inevitable horrors of physical deterioration, is devastating.
Kenneth Turan-Los Angeles Times

In many ways it's the best horror film I've ever seen. At the same time, it's hard to recommend; I believe I will be struggling to forget this film as long as I live. I doubt I'll succeed.
Tom Long-Detroit News

As remarkable as Haneke's films are, not a one has been as transcendently generous as Amour, which is nominated for five Academy Awards, including best picture, best director and best foreign-language film.
Lisa Kennedy-Denver Post

In a film that's so explicitly cathartic for the filmmaker, there's a whole lotta catharsis withheld for the audience.
Sara Maria Vizcarrondo-Movies With Butter

While [director Michael] Haneke's love of long takes invite you to stare into the corrugated faces of Georges and Anne as their worlds change, there is a leaden quality to many stretches of the film that assume a profundity that simply isn't there.
Jim Schembri-3AW

Powerful piece of cinema that forces us to confront death and something even worse; the prospect of outliving the love of one's life
Cameron Williams-The Popcorn Junkie

This beautifully-handled, deeply devastating work is all about the most human issue of all: we're all headed for the scrap-heap.
David 'Mad Dog' Bradley-Rip It Up

Movingly acted and extremely harrowing.
Matt Glasby-Flicks.co.nz

Rarely has this subject matter been depicted so realistically, so honestly. You always know where the story is heading but it's still tough to watch.
Matthew Toomey-ABC Radio Brisbane

The scenario is upsetting, but the execution is genuine and pure, making Amour a film of heartbreaking beauty and Haneke's masterpiece.
Thomas Caldwell-Cinema Autopsy

Amour will now rate highly on a list of my favorite horror movies. It's certainly upsetting. But that is its strength.
Jeffrey Overstreet-Looking Closer

This is a profound look at love about a couple who have lived with each other for so many years, know each other so well and this terrible thing that is facing them and there's a serenity there which makes it even more moving, I think.
David Stratton-At the Movies (Australia)

It's Haneke's searing honesty and lack of sentimentality, and his talent as a writer-filmmaker that lifts this film to the heights of achievement. I know that the storyline may sound gloomy, the film is not. It is beyond wonderful.
Margaret Pomeranz-At the Movies (Australia)

Ultimately, the title of the film demands to be taken as a question: is this truly what love looks like? A little smugly, Haneke refuses to answer.
Jake Wilson-The Age (Australia)

A multiple award winner at film festivals around the globe, and it is easy to see why. Highly recommended.
Leigh Paatsch-Herald Sun (Australia)

Michael Haneke's most intimate and painfully truthful film - an exploration of what love means at the far end of life.
Simon Weaving-Screenwize

This is a movie almost too painful to watch at times, yet so masterfully composed and acted - Riva absolutely deserves her Oscar nomination, while Trintignant was robbed - that it's impossible to turn away.
Steve Persall-Tampa Bay Times

Georges' irreversible decision may be courageous, but it requires no sacrifice on the part of his creator: for Haneke, it's business as usual.
John Beifuss-Commercial Appeal (Memphis, TN)

Trintignant and Riva are unforgettably brilliant as the aging couple we can all identify with.
Dennis Schwartz-Ozus' World Movie Reviews

Haneke's startling film stands in stark contrast with other recent, comedic fare that seemingly addresses similar issues.
Ed Gibbs-The Sunday Age

My review is categorized as 'favourable' not because I enjoyed the film (that's not Michael Haneke's intent) but because I recognise what he is trying to say and that he says it with a unique cinematic voice
Andrew L. Urban-Urban Cinefile

Debilitation and loss of control is a harsh topic, yet Haneke's film is surprisingly gentle, exploring the constraints and options faced, as old age delivers its ultimate blow - the loss of self and ability to function with dignity
Louise Keller-Urban Cinefile

Amour is a pure depiction of love, in all its many forms.
Michael Smith-Tulsa World
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